There aren't many faults within The Beatles' catalogue, but had they not altered these little decisions, then things could've been remarkably different.

With a love of psychedelia, The Verve's Richard Ashcroft reached into the depths of Greek prog and lifted 'The Four Horsemen' for 1997's 'The Rolling People'.

Chantal Akerman's 'Portrait of a Young Girl at the End of the 60s in Brussels' is a stunning look at female coming-of-age and repressed sexual desires.

In a 1996 interview, a 24-year-old Liam Gallagher not only defended this famous track by one of his heroes but also called it downright "scary".

Nicolas Cage chose to work with Ridley Scott instead of Clint Eastwood's 'Mystic River' because he connected with the character of conman Roy Waller.

A look at Keith Moon of The Who, his drumming style and how he couldn't curb his impulses at all, including his impulse to avoid drum solos.

David O. Russell is one of the most controversial directors working today, turning down the chance to work with an actor very similar to himself.

James Maynard Keenan has always championed the beauty in unprecedented rhythm, but who taught him how to master strange time signatures?

The work of David Lynch has been informed by many happy accidents, with the director creating one iconic character based on a strange incident.

Metal music can seem dangerous by nature, but Metallica turned some of their first major gigs into violence arguing sessions.

Session player Elliott Randall stepped in after Donald Fagen and Walter Becker couldn't quite get the sound they were looking for on a soon-to-be hit song.

Slash can make a guitar fit in any context, but there were certain songs that never suited Guns N' Roses from top to bottom.